Andrej Pejic Two years later Pejic captivated the audience during Jean Paul Gaultier's Paris couture show, gracing the runway in a wedding dress. Viewers were said to be shocked to learn the bride wasn't a woman at all. Pejic's jarringly effeminate look has been praised as bold and convincing. It seems that it probably made people uncomfortable. But that’s part of what’s interesting about the cover, I think, is that it’s playing with those ideas of gender roles. He’s topless, you can see that he’s a man, but if you look at his face, he looks like a woman and he’s so beautiful, he’s both in that picture, in a way. I think that’s what’s interesting about it.
The interview is fantastic, though Obrist doesn’t ask much by way of follow-up questions, which can be infuriating. At one point, Assange accuses the New York Times of cowardice, citing an example of a killed story he thought they should have run, but offers no insight on why it was killed. Perhaps he didn’t know, "opaque poly bags because even though they knew Andrej was a man, he looked too much like a woman, basically," a move that she suspects will limit sales, but that's not really the issue here.
His look is quite the opposite of the lantern-jawed, muscled men that often pose for advertisements and glossy magazine covers. indeed, for the layman who has not heard of the striking model it's undeniably difficult to even spot he is a man. Katherine Krause, Dossier‘s Editor-In-Chief, says that both bookstores have been made aware of Pejic’s gender but will move forward with the censoring. What’s more, it’s Dossier‘s financial responsibility to pay for the black poly bags with which their distribution people must cover the magazines.
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